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It allows me to like to vent those frustrations. Now I'm the happiest, most positivity filled fucking angry man you'll ever find. There were times in my life during some of the other parts of the modern era where I was generally an angry dude, and I was channeling that anger. I've always channeled my anger into the music. How has your relationship with the emotions of anger and rage changed from the early days of Exodus to now? Are you still getting mad at the same things? Do you react differently? He's a strong motherfucker, and he battled that shit and he wasn't alone.Īn Exodus album is never lacking in anger, rage and violence and Persona Non Grata really threads that needle. Tom received a diagnosis that does not end well for most people, but it did for him.
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Otherwise, everything would've worked perfectly for us - Tom is recovering from cancer and the timing could not have been more perfect, but I think he needs the additional time at home to get back to full strength to be able to do four or five weeks on the road. So, we're lucky, but unfortunately, we're still postponing shit. We didn't lose a summer of tours because we weren't going to do it. As Tom says, the one thing we had control of was to write music. We're able to just lock ourselves away up in the mountains and do nothing but write music. The positives though were time at home with kids and time to work on this album the way we wanted to. I managed to get and take care of it before it became that. The family time was killer, but the pandemic also introduced me to the beginnings of a full-scale drinking problem.
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Yeah, so you had an unexpected break with the pandemic, but it gave you a really cool opportunity to do something else full time, which was to be full-time grandpa. I know, like, five licks, and I just play them real fast and mix them up enough that hopefully people don't notice. I was going to like to try to keep it crazy - the music demands it. I wasn't going to take that as an opportunity to start throwing in sweep arpeggios. In Slayer, I was allowed to basically to do my own thing and I just tried to match vibe of what Jeff did - frantic whammy bar. I don't think so, but that's not to say I don't take anything from Jeff.
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Stepping away from Slayer after wrapping up the tour and going back to Exodus after having to kind of live in Jeff Hanneman's hands for the last few years, are there any Jeff-isms that you found coming out in your playing as you were developing new riffs for this album? Let's get the smallest amount of Slayer talk out of the way early here.
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Wrapping up, the chat turned to some banter about trashy reality TV shows, of which Holt is a rabid fan of, as well as continuing his newfound alcohol-free lifestyle. Holt, for one, has valid reasons as to why elitism can be a good thing - and, no, he's not talking about elitism and gatekeeping in metal. Our conversation, spurred by the furious new single "Clickbait," even delves into what makes something actual, genuine clickbait and "Elitist" drives us to reconsider the definition of elitism and its perception. Holt and his bandmates disagree on quite a lot politically, but, overall, the messages ring true regardless, which is the hallmark of timeless music. The beauty of Persona Non Grata is that wherever your political and social allegiances lie, the lyrics are likely to resonate.